Ayoob – Visual Design Readings WriteUp Extra Credit

Name: Matthew Louis Ayoob

I have already taken CS147, but I love design concepts, so here’s a writeup of the articles alongside some personal resources I found helpful during CS147: Introduction To Human Computer Interaction.

Word Count: 558


 

Gestalt Principles

  • Gestalt principles
    • “The Proximity principle”: Information blocks should be grouped together if related, but unrelated elements should be located at some distance from each other.

Think of whitespace as an “element” – consider its position, more whitespace around an element makes it more relevant

Gestalt principles: similarity and connectedness shown through grouping and color, laws of human visual perception, the way we process groups and patterns

  • Proximity (elements close together)
  • Similarity (of size, shape, or color)
  • Continuation (aligned along a line or curve)
  • Closure (individual elements form a single object)
  •  A good layout can remove the need for other confusing and intruding elements such as labels or popups.
  • Add color last and only if necessary. Start with position, size, space, & grayscale/luminance

 

Typography

  • Three basic tools of visual design:
    • Typography
    • Layout
    • Color
6.2 Typography (10:47)
  • Point size: font size
  • Leading: spacing between the lines
  • X-height: height of the lowercase letters
  • ascenders /descenders: 
  • Light, regular, bold
  • Serifs: give chiseled looks to letters
  • Typefaces build reputations

 

Color

  • Reading order pillars:
  1. Size
  2. Color
  3. Layout
  4. Spacing
  5. Style
  • Color – may vary from individual to individual and yet across cultures, colors have different meanings.
    • Hue is gradation of color (i.e., name: “yellow”)
    • Saturation is purity of the hue (vividness) how much gray
    • Luminance is the brightness in an image 
  • Grouping by luminance is intuitive like the map from class
  • Color Harmonies:
    • Complementary, analogous, triad, split complementary, tetradic/rectangle, square
    • Beginners should use analogous and split complementary
    • Harder to read complimentary – but often in children’s media
    • Analogous: nature, bp logo
  • Color
    • Rods: 
      • primarily for night vision & perceiving movement • sensitive to broad spectrum of light • can’t discriminate between colors • sense to intensity or shades of gray
    • Cones:
      • used to sense color
      • Photopigments: Red/yellow, green, blue
        • Lots of red and green, fewer blue
        • DON’T USE BLUE TEXT
    • Pure (saturated) colors require more focusing than less pure (desaturated)
    • Size of detectable changes in color varies 
      • hard to detect changes in reds, purples, & greens 
      • easier to detect changes in yellows & blue-greens 
      • older users need higher brightness levels 
    • Hard to focus on edges created by only color 
      • use both brightness & color differences 
    • Avoid single-color distinctions 
      • mixtures of colors should differ in 2 or 3 colors 
      • helps color-deficient observers

 

Grid Basics

  • Grid Systems:
    • A key pattern for implementing rationality, modernism, asymmetry
    • Note that no elements are “centered”
  • 6.3 Grids & Alignment (17:33)
    • When creating templates, design for the longest text block or for multiple languages
    • Left-aligned text is generally fastest for skimming
    • Alignment guides the eye and reduces clutter
    • Pattern conveys consistency
    • Visual proximity to convey semantic information

 

Real World Examples:

https://docs.google.com/document/d/1DaRMHN-Z0pk2VAKH_Dgu32yLwF1hC2lKL005cANX02g/edit?usp=sharing 

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